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- Sony WH-1000XM2 Wireless Noise-Canceling Headphones
- "The Big Knife"
- Monoprice Monolith M300 Earphones
- The Differences Between Home Theater and High-End Audio . . . Two Decades On
- ECV: "Sticks and Stones"
- Stuff You Really Want for Christmas 2017!
- MartinLogan Wireless Ensemble Bravado Loudspeaker
- Paradigm PW Soundbar / PW 600 Loudspeakers / Monitor Sub 8 Subwoofer
- The Problem with Blind Testing
- Living Colour: "Shade"
- Paradigm Reference Signature S6 v.3 / C3 v.3 / ADP3 v.3 / Sub 1 / PBK Home-Theater Speaker System
- Monitor Audio Silver RX6 / RX Centre / RXFX / RXW-12 Home-Theater Speaker System
- Anthony Gallo Acoustics Nucleus Reference 3.5 Loudspeakers
- Explaining HDMI while Solving the Cause of Blue-Screen Nightmares
- Jienat: “Mira”
- Back Cover
- Peter Gabriel: "Scratch My Back"
- Paradigm Reference Signature S6 v.3 Loudspeakers
- Beat Kaestli: “Invitation”
- Paradigm Reference MilleniaOne / Seismic 110 Home-Theater Speaker System
HiFiMan HE1000 measurements can be found by clicking this link.
Try to build the ultimate loudspeaker and you’ll end up with something costing hundreds of thousands of dollars. The ultimate pair of headphones, on the other hand, might cost less than a midpriced high-end stereo amplifier. We’ve recently seen attempts at creating the ultimate headphones, including such models as the Audeze LCD-3 ($1945 USD), the Abyss AB-1266 ($5495), and the resurgence of the classic Stax line, which tops out with the SR-009 ($4450). Now come the HiFiMan HE1000 headphones ($2999), from the company that did much to inspire the recent interest in high-end ’phones.
I’m listening on the screened back porch downstairs -- we live out here during the summer -- to Nick Drake’s Five Leaves Left (MP3, Island) from Amazon’s Cloud, wirelessly streamed to my iPad courtesy our home Wi-Fi LAN and heard through an Urban Beatz UB-SPB80 wireless speaker on a Bluetooth feed from the iPad. The only wires in this transaction are the essential ones: the ISP feed via a coaxial cable to the Motorola Surfboard modem, and a CAT6 cable from that to the Apple AirPort router. What I’m listening to isn’t exactly hi-fi -- it’s about the fidelity of a good table radio a rung below, say, the Tivoli Model One -- but it’s monstrously convenient. (Amazon offers its Prime subscribers a terrific feature: When you buy certain CDs, an MP3 copy can be accessed by a proprietary app via the Cloud. Saves lugging CDs and/or FLAC files around on vacation . . . or downstairs.)
AudioQuest Nighthawk measurements can be found by clicking this link.
I couldn’t even guess how many companies have gotten into the headphone business since 2010, but I doubt any has done it so boldly as has AudioQuest. Their NightHawks ($599 USD) are the result of a from-the-ground-up effort to improve headphone sound. In fact, so much about the NightHawks is radically different that I mention here only their most important features; if you want an in-depth explanation, AudioQuest has devoted to them an excellent microsite.
PSB M4U 4 measurements can be found by clicking this link.
PSB’s new M4U 4 earphones raise an important question for audio manufacturers: After you’ve achieved near-perfection, where do you go? Before PSB’s founder and chief engineer, Paul Barton, built his first set of headphones, he read all the existing research and did a lot of his own. The result, the M4U 2 over-ear headphones, were indeed close to perfect, according to reviewers. But a manufacturer generally has to offer a complete line of headphones -- and Barton is responsible for designing headphone-related products for two of the audio brands owned by the Lenbrook Group: PSB and NAD. What’s a designer to do? Voice them all the same, so there’s little reason to spend more for the more expensive models? Or make some models sound different from the others?
Bowers & Wilkins P5 Series 2 measurements can be found by clicking this link.
Bowers & Wilkins continues to be one of the most popular manufacturers among audiophiles. Mere mention of the name makes me think of hi-fi icons like their Nautilus loudspeaker, and the Nautilus 801 and 802. These speakers were far ahead of their time for their build quality, materials used, and acoustical engineering. Somewhere along the way, B&W made the leap from a pure hi-fi firm to a premium audio company, likely with its introduction of the Zeppelin iPod dock. Since then they’ve moved from strength to strength, offering a variety of wireless speakers, as well as a full range of earphones and headphones. The subjects of discussion here, the P5 Series 2 headphones ($299 USD), are a perfect marriage of old-school hi-fi and class-leading industrial design.
In a recent column, I complained about the rapid growth in the number of lookalike headphone amps that are little more than a DAC-amp chip stuffed into an extruded-aluminum box. The Aurender Flow ($1295 USD) is the exact opposite: a product that represents a major rethinking of what people -- specifically, audiophiles -- need in a headphone amp.
I’m writing this review on a sleek, highly portable Hewlett-Packard Spectre laptop equipped with a modestly sized solid-state drive (SSD) that makes me wish I’d spent the money on a bigger drive. Despite my efforts to move my storage-intensive audio and video files to an external drive, my SSD has just 2.2 gigabytes of space left. Yet thanks to the Flow, I can now use this overstuffed computer to access my entire collection of digital music files, and I can add more music without worrying I’ll run out of space.
Oppo Digital PM-3 measurements can be found by clicking this link.
In just one year, Oppo Digital has become one of the biggest names in audiophile headphones. The new PM-3 closed-back headphones ($399 USD) follow on the impact Oppo made with its other models, the PM-1 ($1099) and PM-2 ($699). Not only is the PM-3 the least expensive model Oppo has made, it’s their first closed-back model, which opens it up to a much wider audience. Closed-back headphones provide some degree of isolation from sounds around you, so you get less noise and more music. I’d guess closed-back headphones outsell open-back models by 100 to 1.
Torque Audio t402v measurements can be found by clicking this link.
It’s a good thing most headphones are relatively inexpensive, because they’re the riskiest purchase an audio enthusiast can make. Headphones vary greatly in tonal quality -- more than speakers do, at least according to my ears and my measurement gear. Listeners’ opinions of headphones also seem to vary more than do their opinions of gear in other audio categories. Yet it’s rare to be able to listen to headphones before you buy. Sometimes you can check them out at a headphone meet or hi-fi show, but for the most part you have to rely on reviews written by people who may or may not share your taste in music and/or sound.
NuForce, the California-based audio brand best known for their proprietary class-D power amplifiers, was recently acquired by Optoma Technology, known to many as a major maker of DLP projectors. Also recently, the high-end division of NuForce was spun off as a new company, NuPrime, which will manufacture more expensive products, such as the amplifiers based on NuForce’s high-end, class-D amplifier modules with Cross Matrix Array (CMA) capacitor boards.
NuForce itself will continue to manufacture less costly products, but gone from their product line are many of the very small models -- e.g., the Icon integrated amplifiers -- which were popular for use with desktop systems. However, NuForce continues to offer compact stereo and home-theater components, and high-quality earphones. Thankfully, my favorite NuForce product, the DDA-100 Direct Digital integrated amplifier (discontinued), now lives on as the DDA120, which adds some key new features and a slight increase in price, from $549 to $699 USD.
Phiaton MS 100 BA measurements can be found by clicking this link.
The new MS 100 BAs -- Phiaton’s first earphones with balanced-armature drivers -- make me wonder once again why there’s not more controversy or disagreement about balanced armatures. Look at all the stuff audiophiles do disagree about: tubes vs. transistors, the benefits (or lack thereof) of high-resolution audio, whether or not cables make a difference. Well, the audible difference between using balanced-armature and conventional dynamic drivers in earphones is much more significant than the differences you’d hear in any of the pairings just mentioned.