Newest Updates - Quick View
- Tidal Force Wave 5 Headphones
- "Lost in America"
- The Indispensable Headphones -- and What They Say About What Matters Most
- Monoprice M1060 Headphones
- Randall Bramblett: "Juke Joint at the Edge of the World"
- Music Everywhere: JBL Flip 4 Bluetooth Speaker
- Schiit Audio Jotunheim DAC-Headphone Amplifier
- "Spotlight on a Murderer"
- HiFiMan Susvara Headphones
- Were Thomas Barefoot's Speakers Used to Record the Music You're Listening To?
- Paradigm Reference Signature S6 v.3 / C3 v.3 / ADP3 v.3 / Sub 1 / PBK Home-Theater Speaker System
- Monitor Audio Silver RX6 / RX Centre / RXFX / RXW-12 Home-Theater Speaker System
- Anthony Gallo Acoustics Nucleus Reference 3.5 Loudspeakers
- Explaining HDMI while Solving the Cause of Blue-Screen Nightmares
- Jienat: “Mira”
- Paradigm Reference Signature S6 v.3 Loudspeakers
- Back Cover
- Peter Gabriel: "Scratch My Back"
- Paradigm Reference MilleniaOne / Seismic 110 Home-Theater Speaker System
- Beat Kaestli: “Invitation”
Tidal Force Wave 5 headphones measurements can be found by clicking this link.
In the last several years, new headphone brands have seemed to emerge almost weekly. It used to be we reviewers would roll our eyes and ignore the latest press release touting a celebrity endorsement, or boasting of a headphone’s “Xtreem!” bass, or trying to lure us with flashy styling. We figured these mass-market products wouldn’t appeal to most of the people who read our reviews. Lately, though, we’ve seen more new brands focus on the audiophile segment. One is Tidal Force, which just launched its first headphone model: the Wave 5 ($299 USD).
An Amusing Journey to a Unique Era
The Criterion Collection 887
Lost in America (1985) is a social satire from a period in American history in which many sought to find themselves, usually by letting go of possessions and exploring their spiritual side. David and Linda Howard (Albert Brooks and Julie Hagerty) are about to celebrate David’s pending promotion by buying a bigger house and a Mercedes. Instead, David is fired, and decides that he’s now free and that they should sell the house, Linda should quit her job, and they should go on a quest for truth and fulfillment.
There’s only one headphone model whose sudden disappearance would literally change the world of audio: Sony’s MDR-7506. Introduced in 1991, the MDR-7506es have become something of a standard for audio and video production. I’ve worked in and visited innumerable recording studios across the country, as well as quite a few radio and TV stations, and I can’t remember ever not seeing a set of ’7506es -- more likely, several pairs -- either in use or easily within the engineers’ reach.
When designing a new model of loudspeaker, manufacturers can go with something totally innovative and different from anything they’ve done before, or with a “family” concept: a speaker of the same design as before, but of a different size, or with different refinements or features. JBL’s Flip 4 is of the second type. The Flip line of Bluetooth speakers has been very successful, and the latest addition, the Flip 4, fits right in with the family, as well as did the JBL Charge 3 ($149.95 USD), which I reviewed in March. The Flip 4 ($89.95 USD) is about two-thirds the size of the Charge 3, has the same cylindrical design and plays loud, and, also like the Charge 3, is not merely water-resistant but entirely waterproof.
Monoprice M1060 headphones measurements can be found by clicking this link.
The audio industry is now seeing two clear, opposing, concurrent trends in product development: a race to the top and a race to the bottom. The race to the top is evident at any hi-fi show, where demos are dominated by amps and speakers priced in the mid-five figures. The race to the bottom can be found on the Internet, where high-value audio specialists fight to see who can most dramatically undercut audio’s storied brands. The Monoprice M1060 headphones ($299 USD) exemplify the latter trend.
New West 6398
Beck’s idiosyncratic mashups generally defy cover versions, let alone by veteran southern jazz-rock artists. So finding a credible version of “Devils Haircut,” one of the core tracks of Beck’s breakthrough Odelay, on the 14th album by Randall Bramblett is a surprise.
“Schiit happens.” It’s not the sort of language usually found in an owner’s manual for a headphone amplifier like Schiit Audio’s Jotunheim ($399 USD). No, an owner’s manual is usually full of bland marketing copy, loosened rules of grammar, regulatory warnings, and stultifying technical detail. I almost never use them, and unless you’re a novice audiophile, neither should you. The folks at Schiit seem to agree. In the preface to their safety instructions, they state: “The following is required by the roughly 9,542 government agencies and regulations we have to comply with. If you have some common sense, they should seem pretty straightforward.” Who are these guys? I did some digging.
An Oddity from an Unexpected Source
Arrow Films AA011/A-TM
We have the Criterion Collection to thank for a 21st-century interest in French film director Georges Franju (1912-1987). The release of the black-and-white horror film Eyes Without a Face (1959) singled out Franju as a most interesting artist, and his Judex (1963), also reissued by Criterion, also proved worth watching.
Audio-Technica was perhaps a little late to the Bluetooth game, but since then the company has produced many headphones of distinction that include the wireless technology. Now they’ve come up with a new type of digital transmission that makes their new ATH-DSR7BT over-ear headphones ($299 USD) unique, and well worth considering as all-around ’phones that live up to the Hi-Res Audio badge printed on the box.
In the last six weeks, I’ve been to two audio shows -- High End, in Munich, and the Los Angeles Audio Show -- while fielding my usual volume of new-product announcements and visits to manufacturers. In that time I’ve witnessed the debuts of hundreds of audio components. What strikes me, though, is not the large number of products I’ve seen, but the extremely small number that I remember.